I believe thoughtful, captivating imagery often communicates most effectively when left to subjective reception, without the pretenses of motivation and inspiration. That said, I would describe my work as sometimes but not always: inventive to an end ideal, interpretative rather than descriptive, a fresh take on archetypical, intuition-driven, semi-surreal, symmetrical, sensual ≥ intellectual, organic-based, and ecclesiastical. I’m obsessed with creating beautiful images.
Wanagi Yata, 54x41, framed archival pigment print on rag paper, $4200
The Sea and the Sky, 34x33, framed archival pigment print on rag paper, $2450
Incarnation, 54x41, framed archival pigment print on rag paper, $4200
I believe thoughtful, captivating imagery often communicates most effectively when left to subjective reception, without the pretenses of motivation and inspiration. That said, I would describe my work as sometimes but not always: inventive to an end ideal, interpretative rather than descriptive, a fresh take on archetypical, intuition-driven, semi-surreal, symmetrical, sensual ≥ intellectual, organic-based, and ecclesiastical. I’m obsessed with creating beautiful images.
Wanagi Yata, 54x41, framed archival pigment print on rag paper, $4200
The Sea and the Sky, 34x33, framed archival pigment print on rag paper, $2450
Incarnation, 54x41, framed archival pigment print on rag paper, $4200